Asst. Leader: Jomari Audal
Members:
Joseph Vergara
Marvin Moraño
Brien Aldrin Dy
Annie Lou Cea
Charmaine Capricho
Mark Laurence Gonzales
Arnaldo Buñag
Michael Manzano
Francis Bonavente
PERSEUS4..."o)
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FIGURE OF SPEECH : A mode of expression in which words are used out of their literal meaning or out of their ordinary use in order to add beauty or emotional intensity or to transfer the poet's sense impressions by comparing or identifying one thing with another that has a meaning familiar to the reader. Some important figures of speech are: simile, metaphor, personification, hyperbole and symbol.
SIMILE: A figure of speech in which an explicit comparison is made between two essentially unlike things, usually using like, as or than, as in Burns', "O, my luve's like A Red, Red Rose" or Shelley's "As still as a brooding dove," in The Cloud.
Sidelight: Similes in which the parallel is developed and extended beyond the initial comparison, often being sustained through several lines, are called epic or Homeric similes, since.
The Leaves of Life keep falling one by one.
--- Edward Fitzgerald, The Rubáiyát of Omar Khayyám
I fall upon the thorns of life! I bleed!
--- Percy Bysshe Shelley, Ode to the West Wind . . . The cherished fields
Put on their winter robe of purest white.
--- James Thomson, The Seasons
Sidelight: While most metaphors are nouns, verbs can be used as well.Till the calm rivers, lakes, and seas,Like strips of the sky fallen through me on high, Are each paved with the moon and these. --- Percy Bysshe Shelley, The Cloud.
PERSONIFICATION : A type of metaphor in which distinctive human characteristics, e.g., honesty, emotion, volition, etc., are attributed to an animal, object or idea, as "The haughty lion surveyed his realm" or "My car was happy to be washed" or "'Fate frowned on his endeavors." Personification is commonly used in allegory.
SYMBOL: An image transferred by something that stands for or represents something else, like flag for country, or autumn for maturity. Symbols can transfer the ideas embodied in the image without stating them, as in Robert Frost's Acquainted With the Night, in which night is symbolic of death or depression, or Sara Teasdale's The Long Hill, in which the climb up the hill symbolizes life and the brambles are symbolic of life's adversities.
HYPERBOLE (hi-PER-buh-lee) : A bold, deliberate overstatement, e.g., "I'd give my right arm for a piece of pizza." Not intended to be taken literally, it is used as a means of emphasizing the truth of a statement. Sidelight: A type of hyperbole in which the exaggeration magnified so greatly that it refers to an impossibility is called an adynaton.
LITOTES (LIH-tuh-teez, pl. LIH-toh-teez) : A type of meiosis (understatement) in which an affirmative is expressed by the negative of the contrary, as in "not unhappy" or "a poet of no small stature."
The clinching interlocking claws, a living, fierce, gyrating wheel,
Four beating wings, two beaks, a swirling mass tight grappling,
In tumbling turning clustering loops, straight downward falling,
Sidelight: Sound devices are important to poetic effects; to create sounds appropriate to the content, the poet may sometimes prefer to achieve a cacophonous effect instead of the more commonly sought-for euphony. The use of words with the consonants b, k and p, for example, produce harsher sounds than the soft f and v or the liquid l, m and n.
I'm no | body! || Who are | you?
Sidelight: As a grammatical, rhythmic, and dramatic device, as well as an effective means of avoiding monotony, the caesura is a powerful weapon in the skilled poet's arsenal.
Sidelight: Since caesura and pause are often used interchangeably, it is better to use metrical pause for the type of "rest" which compensates for the omission of a syllable.
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